Wilmer Wilson IV:
necessity is the placeholder of freedom (conveyor)

PROJECT DATES & LOCATION

Monday, January 6th

6:30PM

CEC (Community Education Center)
3500 Lancaster Ave.
Philadelphia, PA 19104

PARTNER

Performance Intensive

FUNDERS

Sachs Program for Arts Innovation

The Center for Experimental Ethnography at the University of Pennsylvania

LECTURE

Freedom is both the most coveted state of humanistic existence and one of the most fraught drivers of histories across the world. It takes a preeminent position in political action, cultural texts, and interpersonal relations, and often stands in opposition to captivity, control, and enslavement in public discourse. But what are the implications for the performing body if the gestures it makes are framed as necessary, rather than as spontaneous manifestations of freedom? This new lecture by Wilmer Wilson IV posits that freedom was a false flag of humanism that cannot be obtained through humanism’s precepts. Instead, during the course of the lecture the artist will plot a lineage of embodied moments, including historical performances, his past work, and a new set of serial gestures, as being void of individual agency.

This lecture demonstration took place as part of Performance Intensive, an eight-day performance laboratory in Philadelphia from January 5-12, 2020.

Performance Intensive included performances, lectures and workshops by Dynasty Handbag, Tavia Nyong’o, taisha paggett and Wilmer Wilson IV and was organized by Sharon Hayes and Brooke O’Harra. Information about other public events can be found at www.performanceintensive.org

Performance Intensive is funded by the Sachs Program for Arts Innovation with additional support from The Center for Experimental Ethnography at the University of Pennsylvania, Department of Fine Arts at Weitzman School of Design, Annenberg Center.

 

Wilmer Wilson IV is an artist working across multiple mediums, including sculpture, photography, performance, publication, drawing, and video. His work draws together the fragments of everyday social life into speculative organs that augment bodies, interrogating received definitions of what it means to be human. His work has been featured internationally at institutions including The New Museum, The Barnes Foundation, Baltimore Museum of Art, Crystal Bridges Museum of Art, The National Portrait Gallery, New Orleans Museum of Art, and In Flanders Fields Museum. 

about the artist

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